Saturday, July 20, 2019
ââ¬ÅRevisiting ââ¬ËBakharââ¬â¢: Power, Knowledge and Communitiesââ¬Â Essay example -
This paper concentrates on the study of the selected ââ¬Ëbakharsââ¬â¢. The ââ¬Ëbakharââ¬â¢, means a Marathi prose historical narrative. Except Mahikavati bakhar, most of the ââ¬Ëbakharsââ¬â¢ were written from the 17th century to early 19th century. These bakhars were written by Maratha officials on the directions from their masters or senior officials. Those officials were considered as ââ¬ËMahitigarââ¬â¢ i.e. well-informed and knowledgeable persons. The word ââ¬Ëbakharââ¬â¢ derived from Arabic word ââ¬Ëkhabarââ¬â¢, which means news or information. The bakhars were about biographies of great personalities, descriptions of great battles or genealogies of prominent families. The origin of ââ¬Ëbakharââ¬â¢ literature, from Persian ââ¬Ëtawarikhsââ¬â¢ and ââ¬Ëakhabaratsââ¬â¢ or from Sanskrit ââ¬Ëakhyansââ¬â¢ and ââ¬Ëpuranasââ¬â¢, is a matter of debate among the scholars of Maratha history and Marathi linguistics. The most of the historians raised serious questions about the authenticity of ââ¬Ëbakharââ¬â¢ as a reliable source for history writing. However, historians had always used and still using ââ¬Ëbakharââ¬â¢ as source. The Marathi literary critics, considering ââ¬Ëbakharsââ¬â¢ as an important Marathi prose genre of the pre-colonial period, focused on various aspects in their studies of bakhars such as writing styles, sketches of characters and events, uses of ââ¬Ëpuranicââ¬â¢ and mythical legends, ideal and moral values, uses of divine interventions, descriptions of society and places, vocabulary and uses of phrases, changing meanings of words, constructions of sentences etc in ââ¬Ëbakharââ¬â¢ literature. Unlike the literary critics who mainly studied the origin of bakhar through literary studies as mention above mainly focused on one question i.e. from where bakhar is derived. Making departure from this point, Sumit Guha locates the s... .... Sumit Guha, ââ¬ËSpeaking Historically: The Changing Voices of Historical Narration in Western India.ââ¬â¢ American Historical Review 109, no.4(October 2004):1084-2004. Prachi Deshpande, ââ¬ËCreative Past: Historical Memory and Identity in Western India 1700-1960ââ¬â¢ Permanent Black, Ranikhet, 2007, p.39. Ibid. See, Anirudh Deshpande, ââ¬ËMarathas,Rajputs and Afghans in Mid-Eighteenth-Century India: Bhausahebanchi Bakhar and the Articulation of Cultural difference in Pre-Colonial Indiaââ¬â¢ , Nehru Memorial Museum and Library Occasional Paper: History and Society, New Series-10, 2013 Sabhasad Bakhar, Introduction, p.15 Ibid, pp.1. Ibid pp. 29-38, 116-127. Ibid, p.131 Ibid, p.132 Chitnis Bakhar, Introduction, p. 17, for more details see G S Sardesai, ââ¬ËMarathi Riyasat Khand 2ââ¬â¢, Popular Prakashan, Mumabai, 2011. Chitnis Bakhar, Introduction, p. 17 Ibid, p.1
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